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Guidelines for pairing Korean food with wine

February 23rd, 2010

KOREA HERALD

To ask a wine lover to give up their libation of choice would be a sin. The first Asian Master of Wine, Jeannie Cho Lee, understands that. Instead, she broadens their repertoire, offering them new partners for wine, from Asia.

After all there is an ecstasy to be had when a good wine meets a good partner. When the aromas of wine are heightened by a dish and the flavors of a culinary concoction enhanced by the ideal partnering of a vintage, then an oenophile cannot ask for a better meal.

Therefore, while purists may beg for the exclusive globalization of indigenous alcoholic beverages alongside hansik, others may opt for a pronged path, one that sees benefits in linking Korean cuisine to an international drink like wine while also promoting Korean drinks like makgeolli at the same time.

The allure of wine within Seoul was evident when Lee matched wines with a five-course hansik dinner for an audience of 62 at the Park Hyatt Seoul in late January - a Park Hyatt Seoul representative revealed that there was even a waitlist of 20 to 30.

Diners enjoyed the meeting of Chablis with Korean leek pancakes, japchae (clear noodles stir-fried with vegetables) and black beans braised in soy sauce. They savored the partnership between dotori muk (acorn jelly), chili sauce, sole fillet and New Zealand Pinot Noir.

Cucumber kimchi and grilled Australian wagyu beef rib eye met a wine from the Margaux appellation. Blue crab soup and mince tofu stew danced with Shiraz. In the crowning finale, rice cakes embraced Moscato d’ Asti. And that was not the end, those who laid down 150,000 won for the ambrosial experience also took home a volume of Lee’s new book “Asian Palate: Savouring Asian Cuisine and Wine” (Asset Publishing and Research Ltd., $98) endowing them with the ability to continue to pair Korean cuisine with wine, whenever they turned to Chapter 7, the chapter on Seoul.

So what are Lee’s guidelines for pairing wine with hansik?

“I really think that the type of wine that goes better with most Korean cuisine ranging from jeongol, jjigae, bulgogi, galbi, including all of those things is really more red than white,” Lee said.

“The reds that I would choose are mostly those with very soft tannins, ripe and soft tannins, so examples are Merlot-based wines,” she continued before alluding to the French commune touted for its Merlot. “The ones I think have the best texture are the ones from Pomerol in Bordeaux.”

For “everyday Korean meals,” Lee said she often recommends New World Pinot Noir, a wine that she deems “versatile” in “Asian Palate,” calling “slightly chilled New Zealand Pinot Noir” a “dependable” companion to typical Korean fare.

Why not Old World Pinot Noir, more specifically, why not those from Burgundy - from whence the famed wine of Romanee-Conti hails?

“The reason I don’t mention Burgundy red and I could is that in general Korean food is very intense in flavor, high in spices and lots of seasonings. And usually you need enough of a fruit character to stand up to it,” Lee explained, a theory in keeping with her calling for “fruity Pinot Noir from cool climates” in her new book.

“I think if you do have a Burgundy red very often it’s expensive and you need to pick and choose … To be safe I guide people toward New World Pinot Noir, New Zealand, Australia, California.”

For Pinot Noir, Lee recommends yookhae (spicy raw marinated beef) or fried or spicy cuttlefish rings in her new book. In “Asian Palate,” she also pairs Cabernet Sauvignon with galbijjim (braised short ribs), Merlot with bulgogi, Sangiovese with namul (seasoned vegetables), Tempranillo with japchae (stir-fried clear noodles), Nebbiolo with jehyuk bossam (steamed pork belly) and Sauvignon Blanc with nakji bokkeum (spicy stir-fried octopus).

“Galbi, bulgogi, sirloin, meat intestines, I mean those are wonderful with wine. It calls and screams for wine, I think,” she said. “Even if you add everything, ssam, ssam jang, garlic, you put it all in. It’s flavorful but there are lots of strong wines like a fruity Merlot or a very fruity Pinot Noir that can actually stand up to those elements and even add an additional enjoyment value.”

Riesling, a customary go-to for Asian cuisine, was not Lee’s top pick for whites to pair with hansik.

“If I were to pick a white, it would definitely be a white with more body and middle than a Riesling,” she said. “A Riesling is too thin.”

“I find that a wine with greater body but just as much refreshment character, good acidity, but with depth and greater structure is a Sauvignon Blanc-Semillon blend, either from Australia or from Bordeaux.”

“What this blend has, which I think is a wonderful combination,” Lee related with barely restrained enthusiasm. “Is the acidity and the refreshing character from Sauvignon Blanc, but it’s not grassy. It’s not herbaceous … You have the Semillon to round it out, to give it fat.”

“A well-made combination of those two blends, I think, works very, very well because Korean food has the intensity,” she continued. “You need character. You need personality. But it can’t be really overt and strong or it will fight with the food or it changes the integrity, or the essence of the flavors that you’re trying to lift.”

Integrity is something that Lee seems to value greatly. For the Park Hyatt Seoul dinner and for her “tour around Asia” she revealed that she talked with local chefs, telling them, “Don’t change the flavor for the wine.”

Her desire to maintain integrity is not restricted to the cuisine itself, it extends to culinary cultures as well.

“A typical family meal at home often consists of a bowl of rice with at least six to 10 different dishes, including the spicy, garlic-laden fermented cabbage, kimchi,” Lee referred to the customary Asian meal in “Asian Palate.”

As a solution, Lee suggests pairing wine with “your central, core dish” if there will only be one wine or “to look at the strongest flavors that surface” and to “try to make sure that wines can at least meet and pair up with the strongest flavors in all the range of dishes that you’re served.”

Lee’s tips act as a sort of blueprint for the pairing of wine with Korean or other Asian meals, enabling oenophiles with a desire to dip into their banchan and wine all at once a method to their means.

They can also help domestic and overseas restaurateurs of hansik establishments who want to integrate both wine and traditional beverages into their menu a way of doing so without compromising the cultural authenticity of the cuisine that they serve.

Most importantly, they open up the forum for further exploration of the relationship between Asian food and wine by other wine experts in what Lee calls a “realm that was relatively unexplored.”

“Asian Palate: Savouring Asian Cuisine and Wine” is available at Park Hyatt Seoul for 115,000 won.

(oh_jean@heraldm.com)

By Jean Oh

News Clippings

Wine and hansik: A natural blend

February 23rd, 2010

KOREA HERALD

Jeannie Cho Lee, the first Asian Master of Wine and author of the award-winning book “Asian Palate: Savouring Asian Cuisine and Wine” [Ahn Hoon/The Korea Herald]

The first Asian Master of Wine, Jeannie Cho Lee, promises to turn the spotlight on the East with her new book “Asian Palate: Savouring Asian Cuisine and Wine” (Asset Publishing and Research Ltd., $98).

Dubbed “the first comprehensive book on Asian cuisine and wine” in the book’s foreword by “Decanter” consultant editor Steven Spurrier, “Asian Palate” pairs wine with food from 10 Asian cities.

Seoul is one of the featured cities, which means that hansik will benefit from the book’s international success; yes, that is correct, international success.

Following its release in November, “Asian Palate” has won the prestigious international “Best in the World Gourmand Award for Matching Wine and Food” and is short-listed under the drink category for the famed British 2009 Andre Simon Food and Drink book awards. According to Lee, “Asian Palate” is also up for several awards in the United States.

“(The book’s) first print is almost sold out,” Lee said in an interview with The Korea Herald in late January. “We’re going into our second print in a few months.”

All this bodes well for Korean cuisine, which gets its own chapter in “Asian Palate.”

Even better, however, for hansik and for Asian food in general is that Lee has another book on the way, a book that promises to be even more revolutionary than its predecessor.

A companion to “Asian Palate,” Lee’s upcoming book will be called “Mastering Wine at the Asian Table.”

“‘Mastering Wine’ is about introducing a new lexicon for the language of wine,’” the Korean-born Master of Wine explained. “It’s bringing into the vocabulary of wine description, a way of describing the wines, flavors and everything related to wine using Asian reference points.”

To break it down into layman’s terms, Lee will offer up a series of Asian spices, ingredients and dishes as adjectives, so to speak, to be used to describe the taste and scent of wine.

What she proposes is potentially revolutionary because wine experts customarily draw from a somewhat standardized set of terms to describe wine.

For example, Merlot is commonly described as bearing aromas of blackberries and plums, or Cabernet Sauvignon as reminiscent of cassis or blackcurrants. Remember those aroma kits, the little vials bearing scents labeled black pepper, vanilla, peach, etc.?

What about broadening that standard set of aromas to encompass Asian spices and dishes as well?

In essence, this is what Lee is doing: “I’m saying, ‘Let’s broaden our vocabulary. Let’s look at it from a slightly different angle.’ Why does it always have to be Western reference points?’”

So, will hansik be included?

Lee revealed several ingredients commonly used in Korean cuisine that will be featured in “Mastering Wine.”

According to Lee, seaweed will be used to describe Chablis, sesame leaves will be referenced for “minty New World cabernets,” green onions for Sauvignon Blanc, jujubes for Cabernet Sauvignon and persimmons for Merlot.

Should Lee’s suggestions receive the international seal of approval from top tier wine experts and connoisseurs, then wine lovers the world over will be sniffing and tasting ingredients from Korea and other parts of Asia to broaden their own repertoire. In other words, Asian cuisines like hansik will become a part of the universal language of wine.

Imagine, a prominent wine expert sniffing at say a Cabernet Sauvignon and pronouncing it fruity with an aroma of jujubes, those red dates so often used in classic Korean dishes like galbijjim (braised short ribs) and rice cakes?

The implications are endless and if anyone can pull this off it is someone like Lee.

As a Master of Wine, Lee holds one of the most prestigious titles in the world of wine, conferred upon her by the Institute of Masters of Wine. The Master of Wine accreditation has only been awarded to a mere 279. To understand how difficult it is to earn the initials MW at the back of one’s name, it is best to explain that currently less than 300 people since the examination was first held over 50 years ago can claim this title, one of whom is the famed British wine expert Jancis Robinson.

Lee is also the Founder and Director of the wine consulting and education company GrapeXpectations Asia Ltd, a wine consultant for Singapore Airlines and a co-founder of The Fine Wine School in Hong Kong. She writes for prominent publications like “Wine Spectator” and “Decanter.” Last year, she was awarded the Vinitaly International Award.

In other words she holds an endless array of credentials and is a member of the creme de la creme of the wine world. Add to that her own extensive knowledge of Asian cuisine — she was born in Korea and currently resides in Hong Kong — and you have a wine expert who is more than up to the task of introducing Asian spices, ingredients and dishes into the lexicon of wine.

In fact, her knowledge of Asian food came in handy over the 17 years during which she kept a wine-centric food and wine journal.

“In it every time I smelt something that wasn’t in a typical wine lingo or lexicon because it’s just not used in the industry I still wrote it down for myself because it means something to me,” the 41-year old wine expert said.

That may change after “Mastering Wine” hits the presses sometime this or next year.

(oh_jean@heraldm.com)

By Jean Oh

News Clippings

Korea set to bring royal texts back from France on lease

February 23rd, 2010

JoongAng Daily

February 22, 2010

South Korea will soon file an official request with France for the permanent lease of ancient Korean royal texts looted during a 19th century French invasion of the country, diplomatic sources in Seoul said yesterday.

The planned move comes after a French court hearing a suit filed by a Seoul-based civic organization, Cultural Action, on Dec. 24, 2009, acknowledged French ownership of 296 Korean royal books.

A total of 297 ancient books that dictate the protocols of royal ceremonies and rites of the Joseon Dynasty (1392-1910) were taken by the French military from a library on Ganghwa Island off the country’s west coast during an 1866 invasion.

A single book was returned to Korea on a permanent lease in 1993 by France’s then-President Francois Mitterand.

Cultural Action has said it will appeal the court decision, while the Seoul government said its effort to bring the texts back on a lease will not affect any legal proceedings in the future.

“The two governments have held several rounds of negotiations and the French government recently asked us to express our position in an official document,” an informed source said, adding that the official request likely will be filed next month.

“The government has decided the most realistic way to have the documents returned is to have them on a permanent lease,” said the source, asking not to be identified.

Under a Unesco convention signed in 1970, cultural properties obtained through illegal means since that year are subject to restoration, but those obtained prior to the convention - regardless of how they were acquired - can lawfully be registered as national properties by the country that possesses them, as are the Korean texts at France’s national library, according to officials at Seoul’s foreign ministry.

Seoul and Paris have held a series of negotiations since the first return of a royal text in 1993, but have failed to reach an agreement. South Korea’s latest proposal includes lending other South Korean texts or historic relics to France in exchange, ministry officials earlier said. Yonhap

News Clippings